Handelsman agreed to join The Advocate over the weekend, after attending Sunday’s New Orleans Saints game with the newspaper’s owners, John and Dathel Georges, General Manager Dan Shea and Editor Peter Kovacs.
“A few years ago at a Tulane art fair, I purchased a brass skeleton key on a chain created by talented local artist and close family friend, Juliet Meeks*,” Handelsman said. “I’m not much of a jewelry-wearing guy, but I’ve worn that key under my shirt every single day as a personal reminder to someday unlock the door and get back home.”
The New Orleans Advocate, which expanded from Baton Rouge into the New Orleans market 11 months ago, is now the official newspaper of the New Orleans Saints and New Orleans Pelicans, Advocate owner John Georges announced tonight at a reception at the Superdome, along with Tom Benson, owner of the Saints and Pelicans, and Saints co-owner Rita Benson LeBlanc.
The deal does not extend to naming rights to the New Orleans Arena, though Georges said there would be plenty of Advocate signage in the city's Superdome/Arena sports complex.
The partnership between two of New Orleans' wealthiest and most influential families drew a crowd of several hundred business leaders and politicos to the Bienville Club Lounge on the third floor of the Superdome, including most of the New Orleans City Council and Jefferson Parish President John Young, as well as Benson's wife Gayle and Georges' wife Dathel.
Most of The Advocate's New Orleans editorial staff was on hand as well, though editor Peter Kovacs said the newspaper and sports teams' partnership would not extend to editorial in any way, but simply be a marketing and promotional tool for both entities.
(Editorial will be involved in one immediate way; The Advocate plans to print a commemorative broadsheet edition this Sunday to mark the Saints' season opener against the Atlanta Falcons, and the paper's New Orleans staff has been told to show up at the Dome Saturday night so they can personally tuck 70,000 copies of the paper in the seats.)
The regional differences throughout the U.S. include "crawdad" and "mudbug." The Associated Press handbook entry has it as "crawfish," then specifically says "not crayfish."
"Crayfish" is what you can get, by the pound, at $13 a pound, according to The New York Post, at The Boil, a Louisiana-style seafood joint in New York City. The restaurant's menu, however, correctly calls it crawfish. It even says "crawfish" on the front door.
Nevertheless, The Post took a look at the crayfish restaurant, which recreates for New York diners a picnic-table-style seafood boil with Abita beer on tap — and where diners order from iPhones or iPads while wearing blue gloves.
The gloves have, in fact, turned out to be one of the restaurant’s most popular features for urbanites who want to keep their manicures clean while they munch.
It's also cash only, so if they're going for authentic New Orleans they've nailed the bill portion of the meal.
The Boil's Yelp! reviews sound good — though one disgruntled rEaL nEw OrLeAnS person who has never been to the restaurant gave it one star because of what they read in The Post — the nation's saving grace of journalism, The New York Post — and called the diners a "bunch of pussies."
Next time I'm in New York, I will happily don the blue gloves and dive into a bucket of crayfish.
Came home from the grocery store this pm to a passed out waiter on my front lawn. Took my daughter and I 45 mins. to figure out who he was.— Mary B. Sonnier (@ChefMarySonnier) June 29, 2013
First it giveth, then it taketh away. Newspapers are dead and buried then return to a daily schedule. New Orleans Pelicans come and go within minutes. Prison donuts are a thing and likely will not be anymore. The right and left react to landmark decisions in Texas and D.C. A $100 brunch institution shuffles off this mortal coil. Service industry employees slumber in unusual ways. Governors — do they poop?
In this week's delayed edition of Y@ Speak (not what you expected, right?), New Orleans examines what is real, or really real, and whether they're, you know, cool about it. If not, one can always seek refuge in Target on the West Bank, where the celebrities go.
After going to thrice-weekly publication last fall as part of its move to a "digital newsroom" (and later adding a Monday sports tabloid during New Orleans Saints football season and a early-Sunday "bulldog" edition in the subsequent months), NOLA Media Group announced in April it would return to printing a news product on the days that The Times-Picayune was not printed.
That tabloid print product, which was named "TP Street," was largely greeted with dismay in the newsroom and confusion and derision elsewhere, due in part to publisher Ricky Mathews' spin on the tabloid. Mathews had called TP Street "the latest milestone in our evolution as a multimedia news organization," when it was clear that the move was a retreat to daily printing.
Adding to the confusion was NOLA Media Group's statement that TP Street was a response to subscribers' demand for a paper — but TP Street would not be delivered to subscribers, but available only on news racks for an additional price. (The final version of TP Street will carry The Times-Picayune's familiar "flag," or front-page logo.)
That non-delivery plan, Gambit learned several weeks ago, has also been reconsidered as NOLA Media Group pondered the possibility of returning to daily delivery of a daily print product with the name Times-Picayune, effectively positioning the physical paper where it was a year ago before the "digital transition" — albeit a physical paper with a severely damaged brand and new competition in the form of The Advocate's New Orleans edition.
Amoss' memo to his staff below the jump.
Over the weekend, a Gambit reader noticed that some recent Blake Pontchartrain columns contained passages that hewed closely to materials that were published elsewhere. In some cases, passages in the Blake columns were identical, or nearly identical, to the work of others.
After analyzing those examples and doing our own preliminary research, we’ve determined that the problem is not an isolated one, nor were the identical passages inserted at some point during the editing process.
“Blake Pontchartrain” is a composite column that has been written by several contributors over the years. These examples can all be attributed to a single writer, who will no longer be working for Gambit.
While we look at more of this writer’s columns and try to determine the depth of the problem, we’ve decided the safest course of action is to remove the Blake Pontchartrain archive from our website. We’ll keep readers apprised of our findings.
A New Orleans native, Foster studied at the Fashion Institute of Technology in New York City and began her publishing career as an intern at Time Out New York. Foster has been an employee of Gambit since 2001, serving in various capacities including advertising coordinator and assistant advertising director. She has been the paper’s marketing director since 2008.
Foster has served as project manager for many digital projects for Gambit, including client-designed mobile sites and multiple redesigns of Gambit’s website, bestofneworleans.com. She also has headed development for online and print promotions and served as project manager for the company’s special events, including the Gambit Food Revue. In the most recent Media Audit survey (Nov. 2012-Jan. 2013), Gambit’s readership was up 37 percent from the previous year.
“Jeanne just gets it,” DuBos said. “She has done an outstanding job on print, digital and event projects that keep Gambit Communications current and relevant. This promotion is a tribute to her keen ability and success at advancing the Gambit brand in today’s media marketplace.”
“We have a really creative and innovative team right now,” Foster said, “and I am so excited to help continue to build the Gambit brand in the community and deliver what our loyal and growing readership wants via the print product, bestofneworleans.com and Gambit Events.”
God's speed, Rodrigue
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