Radio

Tuesday, April 16, 2013

Harry Shearer's Le Show loses le flagship NPR station

Posted by on Tue, Apr 16, 2013 at 2:13 PM

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  • HarryShearer.com
Harry Shearer's radio program Le Show, which airs locally on Sunday nights at 8 p.m. on WWNO-FM, has been axed from the lineup at its home station, Santa Monica, Calif.-based NPR giant KCRW-FMand Shearer is looking for a new home base for the, uh, le show:

On Monday, April 15, I had an Income Tax Day to remember. I was invited to hear a “proposal” from the general manager of KCRW. The proposal was, in fact, a notice of a fait accompli. Le Show was being cancelled from the airwaves — something I had suspected might be the nature of the proposal, but the surprise was the timing: “effective immediately”. Thus does public radio, in one more small way, come to resemble ever more closely commercial radio’s way of doing business.

Le Show, which had been a 30-year staple at KCRW, featured Shearer's mix of barbed political satire, radio sketch comedy and music. KCRW management told the LA Weekly that it will "continue to distribute the show for podcast and national syndication, and will continue to support the show on its digital platforms."

Shearer is not the first Louisiana radio host to fall victim to changes at KCRW. In 1998, native New Orleanian Chuck Taggart, who presented a weekly program featuring Louisiana heritage music, was dropped from the station (Taggart began a new show at KCSN-FM, which he ended in 2008).

WWNO general manager Paul Maassen said the University of New Orleans' NPR affiliate intends to continue carrying Shearer's program, but said he hadn't talked to Shearer about possibly making WWNO the new home base for Le Show.

"We have a great relationship with Harry," Maassen told Gambit. "We'll see if he approaches us."

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Tuesday, February 19, 2013

WWNO-FM names new news director

Posted by on Tue, Feb 19, 2013 at 10:21 AM

Eve Troeh
  • NPR/MARKETPLACE
  • Eve Troeh
WWNO-FM, the NPR affiliate at the University of New Orleans, has hired Eve Troeh as its first-ever news director as the station continues to rebrand and expand its news coverage of south Louisiana. Troeh will begin April 1.

An Alaska native, Troeh lived in New Orleans from 2000-2007, working as a freelance radio reporter and an associate producer for the popular American Routes show. After leaving New Orleans, she worked for NPR's "Marketplace" for five years, during which time she covered the 2010 BP oil disaster. On her way out, though, she penned an essay titled "Dear New Orleans: I'm Leaving You," which addressed her conflicted thoughts about her adopted city:

I talk to friends about New Orleans like a dysfunctional romance. I gush over it one day, then call up bawling and heartbroken the next. Why can't it change? Stop being self-destructive and violent? It has so much potential.

Recently, my blinders started to come off. It was building for awhile. My friend Helen Hill was murdered in her home;other friends have been mugged. We don't go out much any more...

But then there was this hot Friday night last month. I went on the perfect date with New Orleans . Saw live, local music, danced with friends on the stage, then headed home through my neighborhood of craftsman cottages and angel trumpet trees.

A block from my door, I was attacked from behind by a stranger. I escaped, with the help of my roommate. The case is moving forward, so I can't say much more than that.I'm angry and confused. Which is the real New Orleans? The one that's violent and desperate? Or the one that coos softly, and caresses me? The answer, of course, is both.

I just hauled my things out of New Orleans in a big truck. I am still in love with the city, but it's hard to trust it. Maybe we'll both heal, and the relationship will rekindle. I don't know what - or how long - that might take.

A biography of Troeh, provided by WWNO-FM, under the jump...

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Tuesday, December 11, 2012

Gus Kattengell's "Sports Hangover" moves to afternoon drive time on 106.1 FM Monday

Posted by on Tue, Dec 11, 2012 at 3:56 PM

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Gus Kattengell, host of "The Sports Hangover" and New Orleans Saints columnist for Gambit, moves to the newly reaffiliated 106.1 FM "The Ticket" starting Monday.

The station is becoming an affiliate of the new CBS Sports Radio network, and Kattengell will be "The Ticket"'s sports director, as well as the station's afternoon drive-time host.

"The Sports Hangover" will follow "The Jim Rome Show" Monday through Friday, going head-to-head in the afternoon against the longtime market sports leader, WWL-AM's "Sports Talk" with Bobby Hebert and Deke Bellavia.

CBS Sports Radio will officially launch Jan. 3 at more than 100 stations around the country, and has just finalized its national lineup.

With New Orleans ramping up for Super Bowl XLVII — which will air on CBS — Kattengell will be reporting from the heart of preparations for the big game on the radio, in Gambit every week and here on the Blog of New Orleans as part of our planned Super Bowl coverage.

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Sunday, August 5, 2012

Gus Kattengell joins Gambit as sports correspondent

Posted by on Sun, Aug 5, 2012 at 9:00 AM

Gus Kattengell
  • Gus Kattengell

As Saints season gets underway, we're pleased to announce Gus Kattengell is joining Gambit's roster of contributing writers.

He'll be providing reports from training camp, pre- and post-game wraps of New Orleans Saints games and breaking Saints news on Blog of New Orleans — as well as a weekly column in Gambit. Gus joins our other sports correspondents — writer Alejandro de los Rios and photographer Jonathan Bachman.

G-Katt's been a familiar face (and voice) on local TV and radio for more than a decade. He's currently the co-host of "The Sports Hangover," the weekday sports show on WIST-AM, and the co-host of pre- and postgame radio broadcasts of Tulane University football. Before that, he was the sideline reporter for the Saints Radio Network and contributed to sports coverage on WWL-AM.

Gus is a graduate of Brother Martin High School and majored in broadcast journalism at the University of Southern Mississippi. He's won two regional Edward R. Murrow Awards from the Radio-Television News Directors Association for Sports Feature and several Louisiana Associated Press awards for Best Sportscast and Sports Story in the state. (Plus he just got married.)

He's also very active on social media (and not just on sports topics). Friend him on Facebook, follow him on Twitter — and look for his column in Gambit every week during Saints season.

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Thursday, July 26, 2012

WWNO-FM and NPR to announce partnership with NewOrleansReporter.org

Posted by on Thu, Jul 26, 2012 at 6:25 PM

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The University of New Orleans (UNO) and its NPR affiliate station, WWNO-FM, have called a press conference for Friday morning for the announcement of "a major new initiative." The initiative is NewOrleansReporter.org, the fledgling newsroom being put together by Greater New Orleans Inc. president Michael Hecht and Educate Now! head Leslie Jacobs. (The project was previously called both NOLANow.org and NOLA Beat; the neworleansreporter.org domain was registered just yesterday.)

A fundraising letter being circulated this week among New Orleans business leaders says NewOrleansReporter.org "is based on extensive discussions with industry experts, and aims to be a national model for next-wave journalism. TheNewOrleansReporter.org will be hosted by UNO, and will partner with WWNO and National Public Radio (NPR)."

The letter also says NPR is investing $250,000 in kind in the project (though that dollar amount may be an estimate and is subject to change), and "has decided to make New Orleans its 'beta' market to develop a robust online platform for its affiliates nationally."

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Monday, July 23, 2012

As the New Orleans media landscape turns ...

Posted by on Mon, Jul 23, 2012 at 6:12 PM

SOURCE: MYSPILTMILK.COM
  • SOURCE: MYSPILTMILK.COM
As The Times-Picayune continues down its path of thrice-weekly-plus-occasional-Saints-Monday print publication, several local online news sources have made moves to bolster their own positions.

The New Orleans Digital News Alliance is a collaboration between four local websites: My Spilt Milk (the cultural-criticism site recently started by former OffBeat editor Alex Rawls), NOLA Defender, Uptown Messenger and the non-profit newsroom The Lens. As announced by Rawls:

Each site has a distinctive mission. NOLA Defender refers to itself as an alt-daily that provides hyperlocal coverage of politics, crime, and culture in Southern Louisiana; Uptown Messenger covers the people and events of New Orleans' Uptown neighborhoods, reporting on government, crime, schools, business and culture; The Lens is the city’s first nonprofit, public-interest newsroom; and My Spilt Milk takes a timely look at New Orleans' culture with an emphasis on music. Collectively, we provide valuable information and perspectives on the Crescent City.

The Lens, along with cultural website NolaVie, also will be collaborating with WWNO.org, the online arm of NPR affiliate WWNO-FM, which made the switch from classical music to a daytime NPR news format.

But there's another name in the game that may upend the way New Orleans gets its online news. It's called NOLA Beat — and you'll be hearing more about it later this week.

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Monday, July 2, 2012

"New Orleans became a blank slate after Hurricane Katrina struck in 2005..."

Posted by on Mon, Jul 2, 2012 at 9:17 PM

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National Public Radio began a new series today, "NPR Cities: Urban Life in the 21st Century," and New Orleans was chosen for the inaugural report. Its title was "Filling In New Orleans' Future, One Blank At A Time," and Debbie Elliott's story began with more references to the city's blankness:

New Orleans became a blank slate after Hurricane Katrina struck in 2005. And ever since, entrepreneurs have rushed in to experiment with new ideas for building and running a city.

The most-recommended comment on the story comes from New Orleans resident Beth Blankenship:

New Orleans most certainly did not become a "blank slate" in 2005. More than 350,000 people live here, in our homes that were either minimally damaged or have been restored since the storm, and continue the lives we lived before 2005, in the traditions of this very old, very non-blank city. We are not a tabula rasa for the entertainment of entrepreneurs, creative class-hipsters, Teach for America do-gooders and all the other folks who want to pat themselves on the back for "fixing" New Orleans. Lousy writing is fueled by lazy thinking, Ms. Elliott.

Other reactions were even more tart.

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Tuesday, May 29, 2012

How the country's only reading radio will handle The Times-Picayune's big changes

Posted by on Tue, May 29, 2012 at 4:26 PM

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Tune into 88.3 FM and you'll hear the city's — and the country's — only full-time FM dial reading radio. Twice daily, volunteer readers read from The Times-Picayune. But WRBH-FM, known as "Radio for the Blind and Print Handicapped," is preparing to adjust its programming when The Times-Picayune moves to a three-days-a-week publishing schedule. WRBH currently reads to more than 11,600 listeners on weekdays, when two volunteer readers read, live on the air, select headlines and stories from the daily paper.

The station, which celebrated its 30th anniversary last year, provides blind and visually impaired listeners of all ages with access to 'round-the-clock content, from national publications (monthly and weekly magazines) and best-selling nonfiction and fiction to local news provided by The Times-Picayune, read daily from 7 a.m. to 9 a.m. on weekdays and 9 a.m. to 11 a.m. on weekends, with repeats at 6 p.m. (weekdays) and 1 a.m. (weekends). More than 1,000 listeners tune in on Saturdays, and 4,000 tune in on Sundays. It also streams its content online.

"There's a lot of 'scissor work' involved. It's our only live program," said executive director Natalia Gonzalez. "We do headline news, local news, sports, and entertainment and columns. It's our intention to attempt the same format, but a lot of that depends exactly on what NOLA.com will give us."

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Friday, March 16, 2012

This American Life retracts damning Apple story

Posted by on Fri, Mar 16, 2012 at 12:42 PM

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In my interview with This American Life host Ira Glass that ran in Gambit last week, we discussed the show episode "Mr. Daisey and the Apple Factory," in which monologist Mike Daisey details his first-hand account of the deplorable conditions of Foxconn, the Chinese factory where Apple products — among other brand electronics — are manufactured. But today, This American Life has completely retracted the episode, saying they have discovered details from the episode to have been "partially fabricated."

The show's website says this Sunday's episode will be devoted to "detailing the errors" of the episode with Marketplace reporter Rob Schmitz, and Daisey appears on the show to talk with Glass "about why he misled This American Life during the fact-checking process."

This American Life airs 1 p.m. Saturday and 5 p.m. Sunday locally on WWNO (89.9 FM), and you can find the episode after 6 p.m. on Sunday night here. This should be some good radio.

UPDATE: Here is a press release from This American Life with more specifics on the fabricated details.

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Thursday, March 8, 2012

More from the Ira Glass interview

Posted by on Thu, Mar 8, 2012 at 1:39 PM

This week's Gambit features my interview with Ira Glass, host of the popular syndicated radio show This American Life. Glass appears Saturday at Tulane's McAlister Auditorium to discuss the show and answer audience questions (tickets available here). Here's more from our interview, in which we discuss Glass' public radio career, some favorite This American Life stories, Glass' media and movie consumption, and I introduce Glass to the Babes of NPR Tumblr.

On working in public radio:

I was a baby (when I started in public radio). I was 19. … started at NPR in Washington and did all the production jobs, worked all of the different shows.

(I never imagined I'd be a host) when I first started. For one, I wasn’t very good. I was just not seen as on-air material — I wasn’t a great writer for radio, wasn’t a great performer for radio, and all of that I had to learn by doing. Even now, the way I sound on the radio, I rush my words, I don’t enunciate properly. I’ve chosen a style of performing on the radio that sounds like the way I talk, for better or worse. I chose that because I think it works better. Before this, there was a period before this when I sounded like all the other NPR reporters, but I trained myself out of that to sound like I do now, which is more the way I really talk.

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