Stage

Thursday, November 10, 2016

Review: 1776

Posted By on Thu, Nov 10, 2016 at 2:17 PM

JOHN BARROIS
  • JOHN BARROIS

If politics were as satisfyingly entertaining as Rivertown Theaters for the Performing Arts’ production of 1776, the recent presidential election could have been far more enjoyable. Imagining the Founding Fathers tripping the light fantastic while hammering out the ideals of the Declaration of Independence is a remarkable concept, and the cast at Rivertown delivers an impressive ensemble performance.

Winner of three Tony awards, including Best Musical, 1776 is a brilliant history lesson that elucidates the lengthy, rigorous and contentious convention of the Second Continental Congress. Some dialogue was pulled from historical documents, and other narrative was fabricated since the actual debates were not recorded on paper.

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Monday, November 7, 2016

Amazing Acro-Cats return to New Orleans for another holiday spectacular

Posted By on Mon, Nov 7, 2016 at 1:48 PM

The Amazing Acro-Cats (featuring Tuna, bottom) perform on The Late Show With Stephen Colbert.
  • The Amazing Acro-Cats (featuring Tuna, bottom) perform on The Late Show With Stephen Colbert.

Christmas in New Orleans means Mr. Bingle, garlands on the streetcars — and, in a new tradition, stupid cat tricks. Once again, The Amazing Acro-Cats are coming to St. Claude Avenue in December for an extended run of their show Meow-y Catmas in New Orleans.

Besides cats doing tricks (or not, depending on how the mood strikes them), other wonders of the Acro-Cats shows of past years have included a dog in a tutu, a cymbal-playing chicken named Gregory Peck and a hedgehog that wore a Santa hat and pushed a bowling ball, presided over (sort of) by ringmaster Samantha Martin.

Like Hamilton, a show it resembles in no way whatsoever, this is a hot ticket and usually sells out. Performances at the St. Claude Theatre are 7 p.m. on Dec. 2-4, 9-11 and 15-18 (4 pm meow-tinees Dec. 11 and 17). Tickets are $20-$34.

Here's the Acro-Cats amazing the audience of The Late Show With Stephen Colbert:

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Tuesday, November 1, 2016

Review: Becoming Number Six

Posted By on Tue, Nov 1, 2016 at 3:46 PM

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What is weird about Ross Peter Nelson’s new play, Becoming Number Six, is that its premise is not strange. Internet surveillance already exists; usually we just don’t notice it. If you use the internet, Google or some other web company already knows what you buy, where you go and who you know.

Despite its serious underlying message, Becoming Number Six is a comedic mystery that keeps the audience intellectually engaged. In this premiere production, directed by Harold Gervais for the Second Star Performance Collective, technology has enabled the government to track everyone’s movements by monitoring computer and cellphone activity.


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Thursday, October 27, 2016

Review: 4000 Miles

Posted By on Thu, Oct 27, 2016 at 10:13 AM

JOHN BARROIS
  • JOHN BARROIS

The term “generation gap” was coined in the 1960s to describe the chasm separating baby boomers from their parents with regard to values, attitudes, lifestyle and speech. In 4000 Miles, when Leo (James Bartelle) bikes across the country to visit his 91-year-old grandmother Vera (Carol Sutton) in Greenwich Village, there is plenty of miscommunication, but also a great deal of compassionate understanding.


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Tuesday, October 25, 2016

Southern Rep extends Airline Highway run to Nov. 3-6

Posted By on Tue, Oct 25, 2016 at 5:27 PM

JOHN BARROIS
  • JOHN BARROIS

Southern Rep and UNO opened the regional premiere of local playwright Lisa D'Amour's Airline Highway at UNO's Nims Theatre. The company is extending its run with shows Thursday Nov. 3 through Sun. Nov. 6.

Set in a run-down, cheap hotel on the edge of New Orleans, Airline Highway captures a day in the lives of people who live or hang out at the hotel, including an aging prostitute, a French Quarter bar's karaoke host, a handyman who scrapes together a living by fixing odds and ends and a former burlesque dancer who's decided to throw herself a wake so she won't miss the party when she's gone. Airline Highway is reviewed here.

D'Amour's work premiered at Steppenwolf Theatre, which commissioned it and ran on Broadway in 2015.

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Wednesday, October 19, 2016

Review: The Toxic Avenger — The Musical

Posted By on Wed, Oct 19, 2016 at 11:51 AM

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Christopher Bentivegna’s See ’Em On Stage production company has produced comedy musicals based on zombie and slasher movies, and now he’s added a lovable nerd thrown into an oil drum full of radioactive waste who becomes an unsightly freak. It may be difficult to imagine, but The Toxic Avenger — The Musical is not just crazy funny, but also heartwarming. If the hunchback in Phantom of the Opera can fall hopelessly in love, why not a disfigured environmentalist?

The show, which won an Outer Critics Circle Award for Outstanding New Off-Broadway Musical, spoofs a cult classic 1984 science fiction film produced by Lloyd Kaufman. Though the music, directed by Ronald Joseph, is not Tony Award-caliber, the songs are catchy, clever and well delivered. Especially noteworthy are “Hot Toxic Love” and “Evil Is Hot,” a tango.


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Wednesday, October 12, 2016

Review: Airline Highway

Posted By on Wed, Oct 12, 2016 at 3:34 PM

JOHN BARROIS
  • JOHN BARROIS

WWOZ 90.7 FM blares in the background and clothes are hung over the railing to dry at a pink motel on Airline Highway. Francis (Thomas Francis Murphy), an unshaven and disheveled man wearing a Defend New Orleans T-shirt and feathered crash helmet, bicycles onstage, carrying a basket full of Mardi Gras beads. Hummingbird Motel residents sit on plastic chairs in the parking lot where they are planning a “living funeral” for Miss Ruby (Janet Shea), a beloved neighbor who owned a strip club in her younger days. In other cities, these goings-on might seem exotic, but in New Orleans, it’s just another day.

Airline Highway, written by Lisa D’Amour and directed by Southern Rep’s Aimee Hayes, could be described by the cliche, “truth is stranger than fiction.” First produced at Steppenwolf Theatre in Chicago and also on Broadway last year, Airline Highway is populated with colorful New Orleans types, living on the edge and in the moment, who form a supportive community at a seedy motel. The show is full of humor, which is well delivered, but its originality is undercut by the fact we can see similar scenes every day.

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Tuesday, October 4, 2016

Southern Rep enters two-year residency at Loyola University

Posted By on Tue, Oct 4, 2016 at 4:12 PM

COURTESY LOYOLA UNIVERSITY
  • COURTESY LOYOLA UNIVERSITY

Southern Rep opens its production of Lisa D'Amour's Airline Highway at the University of New Orleans' Robert E. Nims Theatre Wednesday. But the theater company has already moved into its temporary home at Loyola University. Through the end of summer 2018, Southern Rep will present shows at Loyola's Lower Depths Theatre and Marquette Theatre.

The inaugural production at Loyola will be Grounded, a play about an Air Force pilot whose career is ended by an unplanned pregnancy, which runs Nov. 2-20 at the Lower Depths Theatre. Tennessee Williams' Sweet Bird of Youth will be staged at the Marquette Theatre May 31-June 18, 2017.

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Wednesday, September 28, 2016

Review: West Side Story

Posted By on Wed, Sep 28, 2016 at 2:54 PM

COURTESY JPAS
  • COURTESY JPAS

Some consider 1957’s West Side Story the best musical of all time, and a defining work of the brilliant composer and conductor Leonard Bernstein. In his score, Bernstein interspersed “cool” 1950s jazz with classical, popular and Latin music, while drawing inspiration from opera to complement a modern version of Shakespeare’s tragic love story Romeo and Juliet.

Beginning with a solitary whistle echoing against New York City’s concrete walls and a bongo beat, the show’s tumultuous, symphonic score alternates between complex, discordant jazz and stirring love ballads.

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Wednesday, September 21, 2016

Review: Pippin

Posted By on Wed, Sep 21, 2016 at 11:44 AM


JOHN BARROIS
  • JOHN BARROIS

Pippin, the Tony Award-winning musical, written by Roger O. Hirson with music and lyrics by Stephen Schwartz, dazzled Broadway audiences in the ’70s and a talented cast is delighting audiences with a season opening production at Le Petit Theatre du Vieux Carre. Schwartz’s timeless and captivating score provides ample opportunities for stellar vocals and jazzy, Bob Fosse-style dance moves, giving the show magical flair.

Originally conceived as a student musical, Pippin essentially is a coming-of-age story. Bored with formal education and the royal court, Charlemagne’s first-born son yearns for an “extraordinary” life, seeking excitement and, above all, meaning. It is a classic tale of a young man traveling the world only to find true happiness back home.

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