When did kale become ruffage for the gentrified? My dearly beloved grandmother, RIP, African American, not where near upper crust used to grow her own kale in Indiana and made the best greens I've ever had to this day. This is silliness.
Kale was always the thing mixed with mustard greens, collard greens - cook it up and sprinkled it with vinegar. When did it become cosmopolitan and hip? My moms from the southeast and she remembers it as something poor people ate because it was cheep and easy to grow. It was "soul Food." It wasn't really an upper crust white thing. Now that white non southerners have discovered it, it's cool? Beyond silly, and probably why it costs so much now.
The author is clearly not a southerner or he would know that boiled kale, usually with a ham-hock and skillet-fat thrown in, is an old traditional poor-southern dish (AKA "soul food" to black USAns who ancestors migrated north). Like that other great southern/soul-food cruciferous green, collards, kale is a heat-resistant and grows and grows in the hot southern summers. It seem to be that its absence, not presence, would be a sign of gentrification. The twist here is that latest batch of millenials - the so-called gentrifying "creative class" hipsters - make it a fashion statement to adopt old red-neck symbols like Pabst Blue Ribbon Beer, and, apparently, kale. But the author seems to miss this point.
What is a "dat"? I understand "grow, youth, and farm". Please don't tell me it is a replacement for the word, that?
Hipsters ruin everything.Good morning.
[Larry] King asked whether he supports the President’s health care reforms, or Obamacare. “Oh, absolutely,” he said, saying that, at 86, he remembers when Social Security was first introduced, with cries that it would bankrupt the country and ruin society. Repeating the populist theme echoed several times Sunday, Edwards said it was the poor, the young and the elderly who are most in need of government’s help, which he said the health care reforms would do.
This Saturday, CBS will air the nationwide premiere of The Whole Gritty City, the New Orleans documentary that follows three marching bands — O. Perry Walker High School, L.E. Rabouin High School and The Roots of Music — and the band directors from 2007 to 2010. It closely follows five students, some of whom take a video camera into their homes.
Wynton Marsalis will host the film, from 48 Hours editor and producer Richard Barber and Andre Lambertson. It will air at 8 p.m. Saturday, Feb. 15.
Read more about the documentary in Gambit.
A&E, the network that runs the hyper-popular Louisiana reality show Duck Dynasty, suspended its star Phil Robertson following comments he made in a GQ profile. Writer Drew Magary talked to an off-camera Robertson, who made self-described "Bible-thumping" and "controversial" statements including: "a vagina — as a man — would be more desirable than a man’s anus," black people "were happy" during Jim Crow, and being gay is sin similar to bestiality.
In a statement, A&E representatives said they are "extremely disappointed" in Robertson's comments, adding, "His personal views in no way reflect those of A&E Networks, who have always been strong supporters and champions of the LGBT community. The network has placed Phil under hiatus from filming indefinitely."
Today, Gov. Bobby Jindal weighed in:
“Phil Robertson and his family are great citizens of the State of Louisiana. The politically correct crowd is tolerant of all viewpoints, except those they disagree with. I don’t agree with quite a bit of stuff I read in magazine interviews or see on TV. In fact, come to think of it, I find a good bit of it offensive. But I also acknowledge that this is a free country and everyone is entitled to express their views. In fact, I remember when TV networks believed in the First Amendment. It is a messed up situation when Miley Cyrus gets a laugh, and Phil Robertson gets suspended."
Duck Dynasty's fifth season airs 9 p.m. Jan. 15.
Variety reports that The Whole Gritty City, which premiered in the 2013 New Orleans Film Festival in October, will air during a two-hour primetime special on CBS' 48 Hours next year.
48 Hours producer Richard Barber directed the film, which follows three marching bands — O. Perry Walker High School, L.E. Rabouin High School and the Roots of Music — from 2007 to 2010 as they prepare for the Carnival season amidst tragedy and violence in the members' homes and on the streets. Read an interview with Barber and more about the film in Gambit.
Barber began filming after he had worked on an episode of 48 Hours that looked at post-Katrina murders, particularly murders that catalyzed a citywide anti-violence march at City Hall, including those of filmmaker Helen Hill and Dinerral Shavers, a drummer for Hot 8 Brass Band and band director at L.E. Rabouin High School. The film also captures the early stages of the Roots of Music, founded by Rebirth Brass Band drummer Derrick Tabb. The Whole Gritty City not only follows the band directors but Barber also gave handheld cameras to several students to document their lives at home.
It will air 8 p.m. Saturday, Feb. 15., opposite NBC's presentation of the 2014 Olympics.
Following its world premiere at the 2013 New Orleans Film Festival, local filmmaker Jessy Williamson's documentary A Warehouse on Tchoupitoulas premieres Thursday, Nov. 7 on WYES-TV.
The film follows dozens of stories from the landmark music venue, which opened in 1970 and hosted countless rock 'n' roll legends, including opening night acts the Grateful Dead and Fleetwood Mac as well as Bob Marley, David Bowie, Iggy Pop, Bob Dylan and dozens others. It also was the venue where The Doors performed for the last time with Jim Morrison. The Allman Brothers were the "house band," performing at the venue no less than twice a month in its early years. The Talking Heads headlined the venue's final gig in 1982. (Read the Gambit cover story looking back at the venue as it approached its 40th anniversary.)
The Warehouse was founded by Bill Johnston, a New Orleans native who wanted to replicate the experience of New York's Fillmore East in his hometown. His Warehouse became a go-to venue for touring acts throughout the '70s. Johnston, who is interviewed extensively in the film, died earlier this year.
The film follows the venue's rocky early days and the offbeat characters in its pot-heavy scene, with anecdotes from roadies, staff members, popular 'zine In Your Ear founders, and frequent sideman Deacon John Moore.
A Warehouse on Tchoupitoulas airs 7 p.m. Thursday, Nov. 7, 9 p.m. Saturday, Nov. 23, and 9 p.m. Nov. 28.
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