Bad to the Bone: Rescued on the Runway is a professionally produced fashion show, but its staff extends beyond the usual cadre of stylists, makeup artists and Zoolander types. Along the runway, dog handlers sub for paparazzi, placed to reassure the dogs who cruise the … er … catwalk with the models.
Bad to the Bone co-founder Diane Lundeen says the dogs have varying degrees of enthusiasm for the spotlight.
“Some dogs are just fine. They’re like ‘Hey, I’m here! Take me home!’ Other dogs are like ‘Are you kidding me? You want me to do what?’” she says.
The scene at MechaCon check-in is bedlam. A man in a glittery green bowler hat, possibly left over from St. Patrick’s Day, jostles a woman with blue and purple hair, who consoles her crying sister. A girl in a metallic red and blue jacket, matching bikini bottoms and black high-heeled boots shivers nearby. Other people in varying degrees of costume stand around the registration desk in vague gestures toward lines; the confusion seems to stem from the fact that there are multiple registration levels. Red-shirted volunteers keep trying to line people up based on the first letter of their last names (“N through Z!”)
Behind me, a young man in an electric blue wig, a red fedora with playing cards tucked into the band and goggles seems indifferent to the chaos. He’s carrying two boxes at about chest-level.
“What’s in the box?” I ask.
The first box has a deck of Magic: The Gathering cards, he says.
“And the other one?”
“It’s a box of string.”
"And what is the string for?
“No one is supposed to know what the string does.”
Shyly, he opens the box’s lid to reveal a tangled nest of extension and power cords.
Muggles, rejoice: a new chapter in the Harry Potter saga arrives in bookstores at midnight July 30. While not technically a novel, the Harry Potter and the Cursed Child script book (from a production opening on London's West End) revives the popular tale about the young wizard and his wand-brandishing buddies.
Climb on those broomsticks or apparate to the following parties and events celebrating the book release.
After a summer of high-hedonist activities (tubing, daiquiris, kiddie pools filled with Jell-O), return to civilized culture in August with the city's annual "Museum Month."
During the event, major local museums offer free admission with an active membership at one of the participating institutions. For example, buying a membership to the Contemporary Arts Center gets you in to the New Orleans Museum of Art, the National World War II Museum, Le Musee de Free People of Color and several other properties.
The program is a great way to check out museums during a traditionally quiet month for tourism, when galleries and exhibits are less crowded. Budget-friendly memberships include Ashe Cultural Arts Center (from $25), the Historic New Orleans Collection (from $35), and Longue Vue House & Gardens (from $35).
A complete list of museums is available online.
During the nightly theater of dinner service, waiters become minor acrobats, lifting, bending and balancing trays of cocktails, beer bottles and wobbly champagne flutes or martini glasses. The annual Bastille Day Bartender and Waiters Race brings this skill to its absurdist apogee, when service industry professionals face off in an outdoor tray-carrying competition.
Under a usually-blistering July sun, bartenders and waiters speed-shuffle toward a finish line with a fully loaded tray of glassware and props. Points are docked for spills, and past races have disqualified contestants for dropping items from their trays.
Updated to include additional events.
Ah, the Fourth of July: hot dogs, American flags and the thrill of a potential fireworks-related ER visit. Though the big show over the weekend is always Essence Fest — we love you, Mariah — there are plenty of other events on the calendar.
Here are four straight nights of fireworks and fests to enjoy during your long weekend (July 1-July 4):
In rock clubs, at festivals and on few-and-far-between carnival midways, sideshow performers are returning to the spotlight. They’re sucking down fire, hanging from hooks like devotees of some high-tech yogic sleeping practice, and reviving classic arts as they juggle Champagne bottles. These feats of physical and mental endurance shock, horrify and and amaze — but most of all, they entertain.
In advance of this month’s Snake Oil Festival, Gambit spoke with sideshow performers and a sideshow historian about the festival and the state of the art.
Apparently, tossing a few balls in the air and catching them isn’t enough to call yourself a juggler. Arty Dodger informs me that among those who know, you’re not legit until you can do five throws and catches of five objects at a time. But Dodger (who prefers to use his stage name) practices a more difficult, obscure style of juggling called “gentleman juggling,” in which everyday household objects — a hat, a cane — become airborne as props in his act.
Dodger, 30, has been juggling since he was nine. He got his first professional gig in his 20s and now regularly performs at sideshow festivals across the South. In his act, he performs balance stunts (pictured) or juggles objects as obscure and/or dangerous as Tasers and his personal favorite, Champagne bottles. (He clarifies: “Empty. You don’t want to waste good alcohol.”)
Jebney Lewis’ latest sculpture is a series of contiguous steel plates. But it’s also a map of the New Orleans ward system and a musical instrument that gives off an eerie, theremin-like hum.
The sculpture is part of a project called Songs of Home Songs of Change, created in collaboration with the composer Rick Snow and the writer Christopher Staudinger. For the project, the group asked area high school students to record sounds that remind them of home or that tell the story of the changing city. Using electronic transducers, the recordings are played through the ward-shaped plates to create resonant tones.
“They’re ordinary sounds, in some ways, or sounds that we’re familiar with, but these young people have a different way of looking at them,” Lewis says. “They’re pretty abstract when you play them through the plates, but they’re recognizable enough to be kind of evocative.”
Though the horse racing season at the Fair Grounds has ended, New Orleans has a larger-than-usual stake in this year’s Kentucky Derby. Local sports mogul Tom Benson’s racing stable GMB Racing owns two Derby contenders (Mo Tom and Tom’s Ready), while other horses have Louisiana connections. Locally, several restaurants and bars will celebrate with Derby parties. Another reason for day-drinking in a fun outfit? Well, twist my arm.
The functions listed below will help you toast the Derby in style. For novices, post time is 5:34 p.m. (CST) and the race lasts about two minutes, so resist the temptation to arrive fashionably late. Instead, get there early and settle into a cocktail or three.
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