The Eminem Show
FILM: 8 Mile
(R)
DIRECTOR: Curtis Hanson
STARRING: Eminem, Kim Basinger
WHERE: Wide release
GRADE: C+
Too much ink has already been spilled discussing the cultural
(in)significance of Eminem. Love him or hate him, Em is the real deal when it
comes to the only currency that seems to matter much these days: star power. As
it turns out, the mostly mediocre, semi-autobiographical 8 Mile is the
perfect way for him to serve notice that he can put that particular money where
his mouth his.
Directed by Curtis Hanson and scripted by Scott Silver, 8 Mile should
have been a full-on chemistry experiment; the elements are all there, but there's
no catalyst. Eminem holds up his part of the deal, luminescing his way through
an otherwise stultifying two hours as Jimmy Rabbit, the Detroit inner-city tough
with a razor wit and rapid-fire mouth. But Hanson's direction only truly sings
in those briefest of moments inside the hip-hop clubs Jimmy frequents, where
wannabe MCs verbally battle for the self-respect their hard-knock lives deny
them. Jimmy's atomic performance in the film's final moments only makes the
audience realize the fireworks that are missing from the rest of the movie.
If L.A. Confidential was long because it was complex, 8 Mile
is long because it's trying too hard. It practically clamors for Oscar's attention,
but ultimately doesn't deserve it, apart from Best Original Song perhaps. Kim
Basinger performs dutifully as Jimmy's white-trash mother, but she plays her
booze and bruiser boyfriends as the cliches that they are. The only "acting"
the anoxeric Brittany Murphy is asked to do is in one awkward, mechanical love
scene.
But 8 Mile succeeds at creating a context for something
Eminem once told MTV: that there is a positive message in his music and
that that message is "F--k you!" 8 Mile better defines the culture-war
whipping boy and despite itself provides a spotlight in which, I do believe,
the real Slim Shady just stood up for the very first time.

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