The fiftyish Jones, whose honeyed, ripe belting is as authentic as soul gets, is a relatively late bloomer in the music biz. Born in 1956 in Augusta, Ga., Jones sang in church as a child and, in her free time, fervently studied the vocal style and unhinged dancing of her fellow Augustan James Brown. Throughout her life, Jones did session work sporadically while holding down hardcore day gigs as a prison guard at New York's Rikers Island and as an armored-car guard for Wells Fargo.
It was one of those session gigs for Desco that jumpstarted her career, though according to her own press materials, Jones was 'skeptical of the 21-year-old Jewish kid behind the glass" at the Desco studio who thought she had the stuff of a soul queen.
After Desco folded, Jones took off. With a reorganized version of the Soul Providers " now the Dap-Kings " she cut a hurried debut, Dap-Dippin' with Sharon Jones and the Dap-Kings, to generate funds during a 2001 summer residency with the band in Spain. It was also the inaugural release for the Daptone label, which was formed post facto by members of the Dap-Kings and Desco's former engineer. Gaining momentum with their genuine-but-not-nostalgic groove, Jones and the Dap-Kings, sidekicks extraordinaire for years, managed to groove their way up to the front with enthusiastic notices from both the soul and blues scene and the pop press. The years 2005 and 2006 were a one-two punch with the excellent Naturally and the subsequent, Billboard-charting 100 Days, 100 Nights, released this month. This year, Jones even made her big-screen debut as a singer in Denzel Washington's The Great Debaters, to which she also contributed songs.
In the mold of bands like Booker T. and the MGs (with whom Jones sang in Brooklyn last summer), the session work has hardly slowed since the Dap-Kings began making a name as a headliner. Besides the high-profile Amy Winehouse gig, the band and Jones have recorded with top artists and producers like Kanye West, Public Enemy's Hank Shocklee and Lou Reed. Stop by and offer some well-deserved applause for the band behind the curtain.