April recognizes Ben's immaturity and realizes that she's actually better off without him. At the same time, her childlessness weighs heavily on her. Because she was adopted, her urgency about family is perhaps all the greater, especially now that she has lost both her parents. There is much discussion about April's adopting a child herself, and given the closeness she shared with her parents and with her brother Freddy (Ben Shenkman), I was never able to understand her resistance to such an idea. This aspect of the narrative seems more a tool of plot than a convincing product of April's character.
In the immediate aftermath of the foundering of April's marriage, two things happen simultaneously. First, she finds herself, too briskly for her own comfort, falling in love with Frank (Colin Firth), the father of one of her pupils. Frank is the recently divorced father of two who battles mightily to restrain his sense of rage at his children's mother, who has abandoned them entirely. April and Frank are so completely decent that we know they just must make it work out, but since they both have issues, the path to felicity will be bumpy. At the same time that April and Frank are trying to start a family involvement of their own, TV-talk dynamo Bernice Graves (Bette Midler) arrives to announce that she's April's birth mother and desires to involve herself in April's life. Each of these elements is probably sufficient for an entire movie, but there's more. In an instance of terribly ill-advised break-up sex with Ben, April finally gets herself impregnated. Right development, wrong father, wrong grandmothers, angry lover.
Then She Found Me probably bites off more than it can wholly digest. But it's a credit to the nimbleness of the screenplay and the smoothness of Hunt's direction that we are never lost and never hurried. The complications that suddenly assault April's life have a ridiculous dimension, and Hunt is able to milk them for subtle but always dignified comedy. The film doesn't break new ground, but it treats the dilemmas of its characters with proper respect. And the picture delivers a series of deft performances. Midler employs her sparkling eyes to give Bernice a properly daffy aspect without ever sliding into campy parody. With this role and that in Election, the affable Broderick is showing considerable skill at playing the unsuspected heel. Firth has played this Everyman part before, and he's good at it. He's a master at suggesting a character's rich inner life without having the lines to display it. Hunt is as good as we recall, beautiful without being flashy, her April sure of herself even as she's unsure of the world she resides in. That's a delicate balance, and Hunt pulls it off masterfully.