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Friday, April 30, 2010

David Sedaris at the Mahalia Jackson Theater

Posted By on Fri, Apr 30, 2010 at 4:46 AM

When humorist David Sedaris came out on the stage of the Mahalia Jackson Theater with just a bottle of water and a notebook April 29, the audience might have been primed for the sort of outrageous family tales that made him a best-selling author and an NPR star. Instead, they got outrageous essays and stories instead, which were no less funny for being fictional. In “Just a Quick Email,” a chipper, passive-aggressive yuppie sends words of encouragement to a much less fortunate friend (“You can either live in the past as a bitter, broken paraplegic, or ...”). Funniest of all were two selections from an forthcoming collection of essays Sedaris described as a bestiary. In one, a suburban Irish setter contemplates his unhappy marriage – his wife is having an affair with the bulldog across the street – and his immense relief when her puppies find new homes (“I don't care what you hear about stepparenting; it is different when they're not yours”).

Sedaris also read selections from his diary (a story about getting a haircut in a black women's salon in Memphis was the best), and took questions from the audience, which turned out to be time that could have been better spent on more storytelling – such as his squirm-inducing wait in an endless airport line next to a proper old lady, while in front of them stood a teenage father with a baby under his arm and the words FREAKY MOTHAF***A printed on the back of his T-shirt. (Sedaris' explication of the choices the teenager might have found LESS acceptable for a flight had the audience roaring.) There were a few walkouts when he delivered some mild political material and ruminated on why you never see an unattractive Jesus on a crucifix, but the vast majority of the crowd loved it all and tromped happily to the lobby afterward for a booksigning. (The reading was part of the inaugural season of the New Orleans Speakers' Series, which concludes May 20 with an appearance by Garrison Keillor.)

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